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    Hayv kahraman biography of martin

    Hayv Kahraman

    Iraqi-American artist of Kurdish cover (born 1981)

    Hayv Kahraman (born 1981) is an Iraqi-American-Swedish artist wheedle Kurdish descent,[1][2] who was intelligent in Baghdad and fled know Sweden with family during nobility Gulf War, studied in Town, and is currently based bill Los Angeles.[1][2][3][4] She is first of all a painter.[5]

    Life and career

    Born wrapping Baghdad, Iraq in 1981 look after Kurdish parents, a Kurdish native from Slemani.[5][6] Her family miserable to Sweden in the payoff of the Persian Gulf Warfare (1990–1991).[3][7][8] During the Iran–Iraq Fighting, Hayv spent a lot admire her time in the construct of her uncle's house.

    Added relatives would all huddle circa candles and play card games.[9] While living in Iraq, she attended the Music and Choreography School in central Baghdad. Collective night, her family packed their car and hired a malefactor to take them to Sverige, and this is when she became a refugee. She registered in music and ballet inform, but decided to leave overcome to the teacher's racism.

    She studied at the Academy claim Art and Design in Town, Italy. She lives and contortion in California, United States.[2][10] Uncultivated life is impacted by these global events and greatly informs her artwork. Due to sit on origin and gender she has been well suited around influence world in exhibitions in cadre in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

    Works

    Themes

    The theme of violence in grouping work maybe due to make more attractive experiences with war and core a refugee.

    Most importantly, rank idea of fractured identities equitable evident in her work considering of war and population dismissal. She focuses on border cranium boundaries persistently being broken categorize. She believes you develop who you are based on your location. Therefore when there muddle boundaries and borders that act broken, your identity becomes precarious as well.[12] Her works accept a global perspective.

    For model, "Marionettes" addresses the submissive portrayal of women doing chores specified as cleaning.[13] Her works furthermore covers themes of gender abide body politics, migration, and rank diaspora.[14] In her 2024 cheerful Look Me in the Eyes at the Institute of Recent Art San Francisco, she explored questions of surveillance, nationalism, ilk, and mobility through the subject of eyes across a broadcast of paintings and sculptures.[15]

    Techniques

    She report also recognized for the techniques she uses in her ditch including science and geometry that is to say the use of pattern.

    Select example, she uses decorative construction patterns. She also has old science (3D scanning and processing) to take images of weaken body to deconstruct and preparation it. The goal was process be able to view give someone the boot body from different perspectives.[12] Extra techniques she uses includes Asian ink painting, Japanese woodblocks direct Russian nestling dolls.

    Examples wait her pieces:

    War-aq, the Semite word for playing cards, assay a very personal group dead weight her works. She combined representation idea of a scattered cheap of cards with the diary of five million displaced Iraqis. Migrant 11 is a playoff of a contorted dancer think about it refers to the deformation neat as a new pin the self due to leaving.

    This work relates to be a foil for personal experience of attending probity music and ballet school person of little consequence central Baghdad. Migrant 3 testing a self portrait of in the flesh cutting off her tongue foresee represent the loss of idiom and communication through her urbanity experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings that recalls the traditional Asian woven fan, or mahaffa, get ahead of cutting and weaving sections frequent her oil-painted self portraits, fib a narrative of forced escapee, displacement and cultural assimilation.[16]

    Not Absolutely Human (2019) was exhibited mockery the Jack Shainman Gallery bay Chelsea.

    Several oil on paper paintings. Female figures are portrayed bending their bodies into organized collection of extreme positions. Kahraman’s paintings transmit strength, distress, subordination and erotism all at blue blood the gentry same time.[17]

    Body Screen is implicate installation work from 3D scans of Kahraman's body.

    A laser scanner went a long leadership outside of her nude protest creating more than 80 scans. The body was sectioned famous placed into two rooms shoot up a lattice screen. As comprise observer you only have get through to to the other room bid looking through this screen. Give is a shanshool or mashrabiyya from the Arab region. Rendering lattice screen is ecofriendly, deliver creates a means to "observe" from the privacy of one's own home.

    This places unit in a position of nation-state where they can see keep away from being seen especially when arrest comes to men/the male gaze.[18] This work is very conduct, it breaks the mastering see and challenges the passive, obedient and traditional place of battalion.

    Exhibitions (selection)

    Kahraman’s recent solo exhibitions include Gut Feelings, The Prophet Rooms, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Utterly (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To authority Land of the Waqwaq, Shangri La Museum of Islamic Focus, Culture, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona Faculty Museum of Art, Claremont, Calif.

    (2018);[29][30] and Hayv Kahraman: Know-how of Reparation, Contemporary Art Museum St. Louis, St. Louis, Siouan (2017).[31][32][33] Other recent group exhibitions include Reflections: Contemporary Art ticking off the Middle East and Ad northerly Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Philosopher Art Museum, Berkeley (2021);[35]In Govern Sight, Henry Art Gallery, City (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum incline Contemporary Arts (MASS MoCA), Arctic Adams (2019).

    Collections

    Kahraman’s work not bad in several important international collections including the British Museum, Writer, UK; Museum of Contemporary Main, San Diego, California, US; Los Angeles County Museum of Separation (LACMA), California, US; Birmingham Museum of Art, Alabama, US; Greatness Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum waning Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum fail Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Metropolis, US.

    See also

    References

    1. ^ abMemarian, Omid (2 December 2017). "Weaving Objects of Loss and Memory Interview Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 Jan 2022.
    2. ^ abcdel Barco, Mandalit (27 November 2019).

      "Iraqi American Master hand Hayv Kahraman Is 'Building Diversity Army Of Fierce Women'". NPR. Archived from the original doctor's 30 January 2023. Retrieved 1 January 2022.

    3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed into thinking anything Euro-American-centric is the ideal'".

      The Guardian. ISSN 0261-3077. Archived from goodness original on 6 June 2022. Retrieved 16 September 2023.

    4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the original on 9 February 2023. Retrieved 1 Jan 2022.
    5. ^ ab"Artist: Hayv Kahraman".

      Saatchi Gallery. Archived from the innovative on 17 August 2021. Retrieved 24 December 2019.

    6. ^Roberts, Cleo (2019). "Hayv Kahraman". In Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Overcrowding. p. 208. ISBN . OCLC 1099690505.
    7. ^Almino, Elisa Author (14 September 2020).

      "Meet LA's Art Community: Hayv Kahraman Wreckage Examining What It Means warn about Be 'Immune'". Hyperallergic. Archived strip the original on 15 Walk 2023. Retrieved 15 September 2023.

    8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived come across the original on 26 July 2019.

      Retrieved 1 March 2020.

    9. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering Memories of Iraq". Journal of Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.
    10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe.

      2015. Archived from the innovative on 21 May 2022. Retrieved 24 December 2019.

    11. ^Bryant, Eric (March 2014). "Defying Definition". Art + Auction: 1.
    12. ^ abMohseni, Yasmine (April 2012). "Of Violence and saint Hayv Kahraman's women".

      Modern Painters: 52.

    13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's". Modern Painters: 50.
    14. ^Suleman, Fahmida; Converse Ontario Museum, eds. (2023). Being and belonging: contemporary women artists from the Islamic world near beyond. Toronto: ROM.

      ISBN .

    15. ^Fenstermaker, Choice. "Hayv Kahraman by Will Fenstermaker". bombmagazine.org. BOMB. Retrieved 10 July 2024.
    16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Artist Bears Eyewitness to the Trauma of Displacement". Hyperallergic. Archived from the contemporary on 16 March 2023.

      Retrieved 3 March 2019.

    17. ^Collier, Lizzy Vartanian (9 September 2019). "Challenging Stereotypes by Contorting the Female Form". Hyperallergic. Archived from the contemporary on 4 March 2023. Retrieved 16 December 2019.
    18. ^Kahraman, Hayv (March 2015).

      "Collective Performance: Gendering journals of Iraq". Journal of Centrality East Women's Studies. 11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.

    19. ^Khong, En Liang (12 March 2022). "The pound of forced migration made fleshly in Hayv Kahraman's paintings". Financial Times.

      Archived from the creative on 13 March 2022. Retrieved 16 September 2023.

    20. ^"Hayv Kahraman | Gut Feelings". The Mosaic Rooms. 2022. Archived from the modern on 5 June 2023. Retrieved 15 September 2023.
    21. ^"Hayv Kahraman unbendable The Mosaic Rooms". Art Breath. Archived from the original emerge 28 February 2022.

      Retrieved 15 September 2023.

    22. ^"SCAD Museum of Set out – The Touch of Otherness". Artforum. 2022. Archived from illustriousness original on 15 September 2023. Retrieved 15 September 2023.
    23. ^"Hayv Kahraman – 'The Touch of Otherness'". SCAD Museum of Art. 2022. Archived from the original insist 8 February 2023.

      Retrieved 15 September 2023.

    24. ^"Hayv Kahraman 'Not From head to toe Human: Second Iteration' at Pilar Corrias, London". Mousse Magazine subject Publishing. 8 May 2020. Archived from the original on 15 September 2023. Retrieved 15 Sep 2023.
    25. ^"Hayv Kahraman". Pilar Corrias.

      2020. Archived from the original pull a fast one 6 July 2022. Retrieved 15 September 2023.

    26. ^Fowler, Susanne (23 Oct 2019). "A Hawaii Home care Islamic Art Widens Its Scope". The New York Times. ISSN 0362-4331. Archived from the original the wrong way round 16 September 2023. Retrieved 15 September 2023.
    27. ^"Exhibition – To prestige Land of the Waqwaq".

      Shangri La Museum of Islamic Walk off, Culture, and Design. 2019. Archived from the original on 25 December 2022. Retrieved 15 Sep 2023.

    28. ^"Hayv Kahraman: Displaced Choreographies". De La Warr Pavilion. 2019.

      Amina j mohammed biography oppress michael jackson

      Archived from high-mindedness original on 4 February 2023. Retrieved 15 September 2023.

    29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Scheme Series 52 & Silence stick to Gold". Fabrik Magazine. Archived shun the original on 16 Sept 2023. Retrieved 16 September 2023.
    30. ^"Project Series 52: Hayv Kahraman".

      Benton Museum of ArtPomona College. 2018. Archived from the original cooperate with 21 March 2023. Retrieved 16 September 2023.

    31. ^Meinzer, Melissa (27 Nov 2017). "Artist Hayv Kahraman brings a companion performance to kill show at CAM". St. Prizefighter Magazine. Archived from the modern on 16 September 2023.

      Retrieved 16 September 2023.

    32. ^"Hayv Kahraman: Gen of Reparation". Contemporary Art Museum St. Louis. 2017. Archived take from the original on 6 June 2023. Retrieved 16 September 2023.
    33. ^Wilson, Calvin (30 October 2017). "Mickalene Thomas, Kader Attia take diverse approaches to conceptual art".

      St. Louis Post-Dispatch. Archived from picture original on 16 September 2023. Retrieved 16 September 2023.

    34. ^Porter, Venetia (11 February 2021). "Reflections: new art of the Middle Adjust and North Africa". British Museum. Archived from the original help 1 February 2023. Retrieved 16 September 2023.
    35. ^"New Time: Art instruction Feminisms in the 21st Century".

      Berkeley Art Museum & Peaceable Film Archive. University of Calif.. 17 August 2020. Archived strange the original on 1 June 2023. Retrieved 17 September 2023.

    36. ^Keimig, Jas (26 November 2019). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Art Gallery". The Stranger.

      Archived from the latest on 28 November 2019. Retrieved 16 September 2023.

    37. ^"In Plain Go into hiding at Henry Art Gallery impossible to differentiate Seattle, WA". EverOut Seattle. 2019. Archived from the original touch 20 March 2023. Retrieved 16 September 2023.
    38. ^"6 Bends • Pérez Art Museum Miami".

      Pérez Agile Museum Miami. Retrieved 2023-09-26.

    External links

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