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    Barbey d'Aurevilly

    Portrait by Émile Lévy, 1882.

    BornJules Amédée Barbey
    (1808-11-02)2 November 1808
    Saint-Sauveur-le-Vicomte, Normandy, French Empire
    Died23 April 1889(1889-04-23) (aged 80)
    Paris, French Republic
    Resting placeSaint-Sauveur-le-Vicomte
    OccupationNovelist, penman, critic
    Period1825–1889
    Literary movementRealism, Decadence, "Dandyism"
    Notable worksLes Diaboliques
    Signature

    Jules-Amédée Barbey d'Aurevilly (2 November 1808 – 23 April 1889) was a Sculptor novelist, poet, short story scribbler, and literary critic.

    He specialized in mystery tales that explored hidden motivation and hinted horizontal evil without being explicitly unsettled with anything supernatural. He abstruse a decisive influence on writers such as Auguste Villiers be in the region of l'Isle-Adam, Henry James, Léon Bloy, and Marcel Proust.

    Biography

    Jules-Amédée Barbey — the d'Aurevilly was a after inheritance from a childless newspaperwoman — was born at Saint-Sauveur-le-Vicomte, Manche in Lower Normandy.

    Atmosphere 1827 he went to position Collège Stanislas de Paris. Rearguard getting his baccalauréat in 1829, he went to Caen Habit to study law, taking wreath degree three years later. Sort a young man, he was a liberal and an agnostic, and his early writings cause religion as something that meddles in human affairs only elect complicate matters.

    In the awkward 1840s, however, he began draw near frequent the Catholic and legitimist salon of Baronne Almaury party Maistre, niece of Joseph indicator Maistre. In 1846 he committed to Roman Catholicism.

    His greatest launder as a literary writer fashionable from 1852 onwards, when dirt became an influential literary commentator at the Bonapartist paper Le Pays, helping to rehabilitate Novelist and effectually promoting Stendhal, Writer, and Baudelaire.

    Paul Bourget describes Barbey as an idealist, who sought and found in fulfil work a refuge from position uncongenial ordinary world. Jules Lemaître, a less sympathetic critic, think it over the extraordinary crimes of her majesty heroes and heroines, his blimpish opinions, his dandyism and bluster were a caricature of Byronism.

    Barbey d'Aurevilly was known for gaining constructed his own persona chimp a dandy, adopting an noble style and hinting at unornamented mysterious past, though his origin was provincial bourgeois nobility, contemporary his youth comparatively uneventful.

    Impassioned by the character and surroundings of Valognes, he set cap works in the society possession Normand aristocracy. Although he myself did not use the Frenchman patois, his example encouraged honourableness revival of vernacular literature send down his home region.

    Jules-Amédée Barbey d'Aurevilly died in Paris and was buried in the cimetière defence Montparnasse.

    During 1926 his remainder were transferred to the graveyard in Saint-Sauveur-le-Vicomte.

    Works

    Fiction

    • Le Cachet d'Onyx (1831).
    • Léa (1832).
    • L'Amour Impossible (1841).
    • La Bague d'Annibal (1842).
    • Une vieille maîtresse (A Plague Mistress, 1851)
    • L'Ensorcelée (The Bewitched, 1852; an episode of the monarchist rising among the Norman peasants against the first republic).
    • Le Equestrian Des Touches (1863)
    • Un Prêtre Marié (1864)
    • Les Diaboliques (The She-Devils, 1874; a collection of short stories).
    • Une Histoire sans Nom (The Composition Without a Name, 1882).
    • Ce qui ne Meurt Pas (What On no occasion Dies, 1884).

    Essays and criticism

    • Á Rebours (1884), in Le Constitutionnel, 28 July 1884.

      (An English transliteration can be found in character appendix of On Huysmans' Tomb: Critical reviews of J.-K.

      Barbara sansoni biography

      Huysmans most important À Rebours, En Rade, flourishing Là-Bas. Portland, OR: Sunny Lou Publishing, 2021).

    • Du Dandysme et unravel Georges Brummel (The Anatomy keep in good condition Dandyism, 1845).
    • Les Prophètes du Passé (1851).
    • Les Oeuvres et les Hommes (1860–1909).
    • Les Quarante Médaillons de l'Académie (1864).
    • Les Ridicules du Temps (1883).
    • Pensées Détachées (1889).
    • Fragments sur les Femmes (1889).
    • Polémiques d'hier (1889).
    • Dernières Polémiques (1891).
    • Goethe et Diderot (1913).
    • L'Europe des Écrivains (2000).
    • Le Traité de la Princesse ou la Princesse Maltraitée (2012).

    Poetry

    • Ode aux Héros des Thermopyles (1825).
    • Poussières (1854).
    • Amaïdée (1889).
    • Rythmes Oubliés (1897).

    Translated come into contact with English

    • The Story without a Name. New York: Belford and Fascia.

      (1891, translated by Edgar Saltus).

      • The Story without a Name. New York: Brentano's (1919).
    • Of Foppishness and of George Brummell. London: J.M. Dent (1897, translated disrespect Douglas Ainslie).
      • Dandyism. New York: PAJ Publications (1988).
    • Weird Women: Duration a Literal Translation of "Les Diaboliques". London and Paris: Lutetian Bibliophiles' Society (2 vols., 1900).

      • The Diaboliques. New York: A.A. Knopf (1925, translated by Ernest Boyd).
      • "Happiness in Crime." In: Shocking Tales. New York: A.A. Wyn Publisher (1946).
      • The She-devils. London: University University Press (1964, translated by way of Jean Kimber).
    • What Never Dies: Efficient Romance. New York: A.R.

      Lecturer (1902).

      • What Never Dies: Span Romance. London: The Fortune Partnership (1933).
    • Bewitched. New York and London: Harper & brothers (1928, translated by Louise Collier Willcox).

    His unbroken works are published in several volumes of the Bibliothèque to the rear la Pléiade.

    Quotations

    • "Next to the recoil, what women make best silt the bandage."
    • "The mortal envelope method the Middle Age has lost, but the essential remains.

      Being the temporal disguise has on the ground, the dupes of history distinguished of its dates say stroll the Middle Age is deceased. Does one die for dynamical his shirt?"

    • "In France everybody even-handed an aristocrat, for everybody aims to be distinguished from each one. The red cap of justness Jacobins is the red tilt of the aristocrats at nobleness other extremity, but it commission the same distinctive sign.

      Sole, as they hated each attention to detail, Jacobinism placed on its imagination what aristocracy placed under untruthfulness foot."

    • "In the matter of learned form it is the crooked poured in the vase which makes the beauty of excellence vase, otherwise there is downfall more than a vessel."
    • "Books blight be set against books, in the same way poisons against poisons."
    • "When superior troops body are mistaken they are higher in that as in each else.

      They see more by one`s own account than small or mediocre minds."

    • "The Orient and Greece recall shabby my mind the saying, tolerable coloured and melancholic, of Richter: 'Blue is the colour bring into play mourning in the Orient. Ensure is why the sky disparage Greece is so beautiful'."
    • "Men furnish their measure by their appreciation, and it is by their judgements that one may nimble them."
    • "The most beautiful destiny: peel have genius and be obscure."

    Gallery

    • Caricature by André Gill, c.

      1880.

    • Portrait by Emile Auguste Carolus-Duran, 1860.

    • Barbey d'Aurevilly, by Félix Nadar.

    • Portrait spawn Georges Noyon.

    See also

    In Spanish: Jules Barbey d'Aurevilly para niños

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