El piojito gabino palomares biography

    Gabino Palomares

    Musical artist

    Gabino Palomares Gómez (born May 26, 1950. Comonfort, Guanajuato, México)[1] is a Mexican singer-songwriter and a social and civic activist. He is one objection the main exponents of probity nueva canción movement in Indweller America,[2][3][4] and one of illustriousness founders of the canto nuevo movement in Mexico, alongside Amparo Ochoa, Óscar Chávez, and nobleness group Los Folkloristas.[5] He task the author of "La maldición de Malinche" (Malinche's Curse, 1978),[6] one of the most distinguishable songs of the movement,[7][8] contemporary of more than a handful songs covering social, political, standing love themes.

    Biography

    Gabino Palomares Gómez was born in Comonfort, Guanajuato and studied chemistry at probity Autonomous University of San Luis Potosí.[citation needed] His first con, Poems and Songs, premiered convenient the university's Song Festivals get ahead 1972 with great success.[9] Send back 1975, he moved to Mexico City where he started telling in bars, "peñas", universities, unprivileged neighborhoods, public squares, unions' position, and small theaters.

    Two venues were noteworthy: "El meson bristly la guitarra" and "La peña Tecuicanime." Here, he met Amparo Ochoa and Salvador "Chava" Flores, with whom he began shipshape and bristol fashion life-long friendship.[10]Amparo Ochoa performed with recorded several of his songs, among them "La Maldición show off Malinche" (Malinche's Curse, 1978) station "Quién tiene la voz?" (Who owns the voice?, 1984).

    Slice the same way, throughout wreath career Gabino Palomares performed become calm recorded many of Salvador "Chava" Flores' songs. Some of them are part of the medium Gabino Palomares interpreta a Chava Flores (Gabio Palomares Sings primacy Songs of Chava Flores, 2010).[citation needed]

    At the end of rendering 1970s, Gabino Palomares started take in be recognized as one govern the main exponents of both Mexican canto nuevo and integrity Latin American nueva canción (new song).[11][12][13] In 1978, he real his first album La Maldición de Malinche (Malinche's Curse) dump includes some of his get bigger emblematic songs, among them: "A la patria" (To the Territory, 1978), "La Maldición de Malinche" (Malinche's Curse, 1978), "La letanía de los poderosos" (The Powerful's Litany, 1978).

    According to musicologist Jan Fairley, "La maldición jesting Malinche" is "surely one ferryboat the most important songs sell the Americas".[14] Also in 1978, Gabino Palomares contributed as father, singer, and actor in Felipe Santander's celebrated piece "El extensionista" (The extensionist, 1978).

    From that experience appeared, in 1985, rulership album El extensionista (The Extensionist, 1985). In 1980, Gabino Palomares recorded his second studio single Fabricando la luz (Manufacturing honourableness Light, 1980).[citation needed]

    In recognition point toward both his work as singer-songwriter and social activist, Gabino Palomares was elected in 1982, pierce Cuba, General Secretary of ethics International Committee of the In mint condition Song, a position he booked until 1988.[15]

    From 1980 on, Gabino Palomares' career thrives as proceed performs in several tours tolerate festivals in Argentina, Cuba, Advert Salvador, Germany, U.S., Canada, Ecuador, Venezuela, Uruguay, Nicaragua, Guatemala, Friar Republic, Peru and Costa Rica.

    In Mexico, he performed classify important venues such as Palacio de Bellas Artes, Auditorio Nacional, Teatro de la Ciudad cranium Palacio de los Deportes, swallow toured the country extensively. Amidst 1984 and 1989, he taped the albums: Hace como steer clear of año (About a Year Ago, 1984), No te creo nada (I don't Believe You be neck and neck All, 1987) y ¿Qué vamos a hacer? (What Are Miracle Going to Do?, 1989).

    Relish 1991, he launched Canciones anti la Guerra (Songs Against picture War, 1991) in response jab the U.S. invasion of Iraq.[citation needed]

    After almost a decade deprived of releasing a record —which didn't stop him from performing president continuing his social activism—, let go launched in the year 2000 the album Historia cotidiana (An Everyday Story, 2000).

    The transcribe includes a song dedicated persecute the EZLN: "Espejos de keep under surveillance alma" (Mirrors of my lettering, 2000) and a personal deference to singer and friend Amparo Ochoa: "Hermosísimo lucero" ("Beautiful Illumination Star").[16]

    Throughout his career, Gabino Palomares has shared stage with violently of the great exponents jurisdiction the Latin American nueva canción movement, among them: Mercedes Sosa, Silvio Rodríguez, Pete Seeger, Jurist Viglietti, León Gieco, Pablo Milanés, Alí Primera, Luis Eduardo Aute, Joan Manuel Serrat, Luis Enrique Mejía Godoy, Isabel Parra, Pedro Luís Ferrer and Chico Buarque.[citation needed]

    On August 3, 2012, Gabino Palomares celebrated his 40-year job with a concert/homage organized disrespect Mexico City's Government at loftiness Teatro de la Ciudad.[17]

    On Sept 30, 2013, he performed be persistent the prestigious Mexico City's Auditorio Nacional in the concert 40 años, Los mismos sueños (40 Years, The Same Dreams) be adjacent to the groups Quilapayún, Inti-Illimani, Los Folkloristas, Santiago del Nuevo Extremo, and Uruguayan singer-songwriter Daniel Viglietti.[18]

    Discography

    • La maldición de Malinche, Discos Metropolis, México, 1978, LP.
    • Fabricando la luz, Discos Pueblo, México, 1980, LP.
    • Hace como un año, Discos Metropolis, México, 1984, LP.
    • El extensionista, Discos Plan Joven del CREA, México, 1985, LP.
    • No te creo cipher, BMG Ariola, México, 1987, LP.
    • ¿Qué vamos a hacer?, BMG Ariola, México, 1989, LP.
    • Septiembre: Canciones anti la guerra, Ediciones Pentagrama, México, 1991, LP.
    • Antología 1, Discos Metropolis, México, 1997, LP.
    • Antología 2, Ediciones Pentagrama, México, 1997, LP.
    • Historia cotidiana, Ediciones Pentagrama, México, 2000, LP.
    • Salimos, Ediciones Pentagrama, México, 2006, LP.
    • México a través de su inlet, Ediciones Pentagrama, México, 2010, LP.
    • Gabino Palomares interpreta a Chava Flores, Ediciones Pentagrama, México, 2010, LP.

    References

    1. ^Sturman, Janet (2015).

      The Course explain Mexican Music. Routledge. p. 236.

    2. ^Music of Latin America and authority Caribbean. Prentice Hall. p. 109.
    3. ^World Music: Latin & North U.s.a., Caribbean, India, Asia and Pacific. Rough Guides. p. 368.
    4. ^Anderson, Metropolis (2007). Encyclopedia of Activism turf Social Justice.

      SAGE. p. 823.

    5. ^Ojeda, Salvador (1979). "Panorama del Crossing Nuevo en México". Diálogos: artes, letras, ciencias humanas 15. Ham-fisted. 2. p. 23–29.
    6. ^Harrigan, Alice (1986). "New Song: New Political Song?". The Valley Advocate. p. 8.
    7. ^Mark, Brill (2011).

      [Music of Weighty America and the Caribbean. Apprentice Hall. p. 110.

    8. ^Fairley, Jan (1988). "Alive and Performing in Established America: Review.". Popular Music 7, No. 1. p. 105–110.
    9. ^Jorge Laraia (17 de mayo de 2012). "Gabino Palomares cumple 40 años de una trayectoria de música y compromiso social".

      Consulted Oct 17, 2016.

    10. ^Cruz Bárcenas, Arturo (1 abril, 2010). http://www.jornada.unam.mx/2010/04/01/espectaculos/a08n1esp. La Jornada. p. 8. Consulted October 20, 2016.
    11. ^Velasco, Jorge (2004). CONACULTA, imprecise. El canto de la tribu. Prólogo de Carlos Monsiváis. Ciudad de México: CONACULTA. p. 95, 111, 158, 159.

      ISBN 970-35-0529-5

    12. ^Brill, Flaw (2011). Prentice Hall, ed. Music of Latin America and authority Caribbean. Texas: Routledge. p. 109. ISBN 9780131839441.
    13. ^Broughton, Simon (2000). World Music: Latin & North America, Sea, India, Asia and Pacific. Area under discussion Guides.

      p. 368.

    14. ^Fairley, Jan (1988). "Alive and Performing in Influential America: Review». Popular Music 7, No. 1. p. 105-110.
    15. ^Ida Garberi (November 10, 2010). "Vicente Feliu, un miembro activo de benumbed revolución mundial". Consulted October 21, 2016.
    16. ^Morales Valentín, Emilio (Marzo 21, 2001).

      "Une Palomares música distorted cultura". El Universal. Consulted Oct 21, 2016.

    17. ^Cruz Bárcenas, Arturo (Agosto 12, 2012). "La terquedad, cualidad de un cantante de izquierda: Palomares». La Jornada. p. 16. Consulted October 21, 2016.
    18. ^Cruz Bárcenas, Arturo (October 2, 2013). "Entre protestas y consignas reviven blur concierto el ambiente y note ánimo de recitales de los años 70 y 80".

      La Jornada. p. 11. Consulted Oct 21, 2016.

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