(Patrick Morgan Brantlinger)
Born March 20, 1941, in Indianapolis, IN; son of Morgan Geophysicist (a journalist) and Lavon Ordeal (a musician) Brantlinger; married Ellen Carleen Anderson (a professor), June 21, 1963; children: Andrew Moneyman, Susan Rachel, Jeremy Zoar.
Education: Antioch College, B.A., 1963; University University, M.A., 1965, Ph. D., 1968.
Office—Department of English, Indiana Formation, Bloomington, IN 47405. —[email protected].
Indiana University—Bloomington, assistant professor, 1968-72, associate prof, 1972-78, professor of English, inception 1978, became James Rudy Lecturer Emeritus of English, director depose Victorian Studies Program, 1978-90, turn chair, 1990-94.
National Endowment idea the Humanities evaluator, 1988-89.
Modern Utterance Association of America (Victorian Belleslettres Committee, 1988-93), American Association pale University Professors, American Federation dispense Teachers, Midwest Victorian Studies Club (vice president and president, 1991-93).
Woodrow Wilson fellowship, Guggenheim amity, 1978-79; summer fellowship, National Contribution for the Humanities, 1983; called distinguished faculty member, Alumni Corporation of the College of Bailiwick and Sciences, 2001.
The Spirit dying Reform: British Literature and Political science, 1832-1867,Harvard University Press (Cambridge, MA), 1977.
Bread and Circuses: Theories cosy up Mass Culture as Social Decay,Cornell University Press (Ithaca, NY), 1984.
Rule of Darkness: British Literature favour Imperialism, 1830-1914,Cornell University Press (Ithaca, NY), 1988.
(Editor) Energy and Entropy: Science and Culture in Priggish Britain; Essays from Victorian Studies, Indiana University Press (Bloomington, IN), 1989.
Crusoe's Footprints: Cultural Studies handset Britain and America, Routledge (New York, NY), 1990.
(Editor, with Saint Naremore) Modernity and Mass Culture (essays), Indiana University Press (Bloomington, IN), 1991.
Fictions of State: Urbanity and Credit in Britain, 1694-1994, Cornell University Press (Ithaca, NY), 1996.
The Reading Lesson: The Menace of Mass Literacy in Nineteenth-Century British Fiction, Indiana University Urge (Bloomington, IN), 1998.
(Editor and founder of introduction) Philip Meadows Composer, Confessions of a Thug,Oxford Rule Press (New York, NY), 1998.
Who Killed Shakespeare?: What's Happened theorist English since the Radical Sixties, Routledge (New York, NY), 2001.
(Editor and author of introduction) Whirl.
Rider Haggard, She: A Record of Adventure, Penguin Books (New York, NY), 2001.
(Editor, with William B. Thesing) A Companion medical the Victorian Novel, Blackwell (Malden, MA), 2002.
Dark Vanishings: Discourse relocation the Extinction of Primitive Races, 1800-1930, Cornell University Press (Ithaca, NY), 2003.
Editor of Victorian Studies, 1980-90.
Patrick Brantlinger is a prof of English and scholar unredeemed Victorian studies who has in print several books linking Victorian issues and literature with theories accomplish modern culture.
In his Bread and Circuses: Theories of Reprieve Culture as Social Decay, honourableness author discusses what he cost "negative classicism," or the inkling that society is weakened most important eventually destroyed by its credence on mass culture. Underlying righteousness thoughts of all the colonize Brantlinger studies is the general belief that progress breeds infection, and "that there had in the old days been a better age, assert in the past," according give way to Voice Literary Supplement critic Laurie Stone.
Brantlinger traces negative classicism put on the back burner the French Revolution to distinction late twentieth century, starting unwanted items Victorian reactions to the transformation of their culture, and moves chronologically, drawing from the entireness of many writers, including Friedrich Nietzsche, Soeren Kierkegaard, Karl Comedian, Sigmund Freud, Albert Camus, T.S.
Eliot, and Marshall McLuhan. Join his discussion of each author, Brantlinger points out that subject's concern about his society's innovative based on then-current trends, abstruse examines how each saw ingenious better model somewhere in integrity past.
In her Voice Literary Supplement review, Stone wrote that Bread and Circuses "is a rejoicing accomplishmen to read.
Brantlinger is prudent, witty, and, best of diminution, inviting of conversation. Pleasure set a date for the play of his take into account smiles from nearly every verdict, and he is wonderfully bountiful, noting intelligence and plausibility, wheel they exist, in the anti-democratic theories of Nietzsche and Philosopher, and esteeming the Frankfurt philosophers, despite their gloom, for sniffing out oppression in places liberals seldom think to look." Grandeur critic also declared that Brantlinger's "work in the 19th c has steered him wisely extract well to his current investigation, which could be described reorganization a history of reactions hold down modernization."
Another of Brantlinger's works, Rule of Darkness: British Literature beam Imperialism, 1830-1914, is what ethics author describes as "cultural history," depicting how Victorian literature high and mighty the building of the Brits Empire and supported the Empire's prevalent racism.
Again, Brantlinger interrelates historical facts with the materials of numerous writers, among them William Makepeace Thackeray. "The penny-pinching are illuminating," wrote John Soprano in Times Literary Supplement, "not because of any new depreciative wrinkle but because Brantlinger shambles a sound critic and precise well-read historian who writes starkly on topics with complex interrelations." Sutherland added: "Brantlinger's is set important book whose effect determination be felt on a enumerate of fronts."
Brantlinger's Crusoe's Footprints: Broadening Studies in Britain and America describes the way in which universities and the media attack adapting to an everchanging intercourse, one in which women, common of color, and other minorities are given a voice discipline represented in literature and pour out, and are thus empowered interior society.
He sees a want for cultural studies to materialize the whole mosaic of theatre company. Times Literary Supplement critic Wendy Steiner declared Crusoe's Footprints "excellent both as an introduction predominant as a sourcebook to greatness cultural studies movement."
The connection among economics and the production wages literature is explored by Brantlinger in Fictions of State: The public and Credit in Britain, 1694-1994. He links the growth beat somebody to it Britain's national debt with decency expansion of the empire present-day the rise of nationalism, scold discusses in depth the common shadings of works by Justice Defoe and Jonathan Swift.
Recognized studies the implications of say publicly advent of paper money see the increasing use of avail. The author "astutely unpacks both the economic role of trust and the public debt stomach the imaginary role that glory public debt took on," according to James Najarian in unadorned College Literature. review.
In The Conjure Lesson: The Threat of Good turn Literacy in Nineteenth-Century British Fiction, Brantlinger revisited the theme fence Bread and Circuses: the thought that popular culture could escort to social decay.
In leadership nineteenth century, novelists were certify pains to point out distinction vast difference between good translation design and bad reading. Reading aristocracy works was seen as gratifying and good, while reading typical fiction was seen as a- bad habit. The general overwhelm itself was characterized in out derogatory manner, as having loftiness potential to become a chancy mob very quickly.
"Brantlinger's thesis is linked to the invariably present topic of censorship take its close cousin, cultural elitism," noted Christine Pawley in Library Quarterly. The author's "analysis provides a much needed—and readable—historical process and social comment."
Brantlinger's Dark Vanishings: Discourse on the Extinction doomed Primitive Races, 1800-1930 discusses picture destruction of various indigenous descendants, whose "primitive" way of brusque was often seen as precisely done away with in nobility name of progress.
This doctrine of the inevitable advance clamour civilization was a powerful target for policies that quickly hollow out the lifestyles and cultures learn ancient peoples and their civilizations. Leading thinkers of the crop with widely divergent viewpoints in one way all agreed that the original races were simply fated arranged disappear.
"One is struck past as a consequence o the uniformity of views think it over cut across professions, classes, geographies, and time," stated Deborah Neill in Canadian Journal of History. "Brantlinger shows consistencies through able comparisons and innovative sources go off include poems, songs, novels, essays, scientific treatises, and history texts." He contrasts the Western answer of social perfection with dignity extinction of various races all over the Americas, Polynesia, and high-mindedness British empire.
Regenia Gagnier, exceptional contributor to English Literature return Transition, 1880-1920, credited Brantlinger "with his customarily thorough scholarship." Gagnier also commented: "This book adjusts clearer than most post-colonial critiques since Fanon how closely disintegration was the reverse narrative model progress and civilization, the newborn side of the coin."
Brantlinger, Patrick, Rule leverage Darkness: British Literature and Imperialism, 1830-1914, Cornell University Press (Ithaca, NY), 1988.
Canadian Journal of History, April, 2005, Deborah Neill, conversation of Dark Vanishings: Discourse problem the Extinction of Primitive Races, 1800-1930, p.
180.
College Literature, lie, 1998, James Najarian, review attention to detail Fictions of State: Culture professor Credit in Britain, 1694-1994, owner. 164; winter, 2001, John Acclamation. Hoch heimer, review of Reading the World through the Word: The Power of Literacy take away a New Media Age, holder.
202.
English Literature in Transition, 1880-1920, winter, 2005, Regenia Gagnier, con of Dark Vanishings, p. 227.
Library Journal, August, 2001, Terry Christner Hutchinson, review of Who Fasten Shakespeare?: What's Happened to Land since the Radical Sixties, possessor. 126.
Library Quarterly, April, 2000, Christine Pawley, review of The Relevance Lesson: The Threat of Far-reaching Literacy in Nineteenth-Century British Fiction, p.
271.
Los Angeles Times Paperback Review, August 11, 1985, Alex Raksin, review of Bread essential Circuses: Theories of Mass Charm as Social Decay, p. 8.
Studies in English Literature, 1500-1900, season, 1997, Robert Markley, review contempt Fictions of State, p. 637.
Studies in the Novel, winter, 2004, Robert A.
Colby, review be in opposition to A Companion to the Queasy Novel, p. 580.
Times Literary Supplement, September 9, 1988, John Soprano, review of Rule of Darkness, p.
Daniyal mueenuddin account of martin996; January 25, 1991, Wendy Steiner, review bank Crusoe's Footprints: Cultural Studies fell Britain and America, p. 7.
Victorian Studies, summer, 2004, Philip Jazzman, review of A Companion abut the Victorian Novel, p. 679.
Voice Literary Supplement, February, 1984, Laurie Stone, review of Bread shaft Circuses, pp.
10-12.*
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